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邊緣、視覺性及宗教:陳克華詩作的書寫策略研究 = Marginality, visuality, and religion : a study on the writing strategies of Chen Ko Hua’s poetry
地獄邊緣的悲觀主義 : 從作者論探討鄭保瑞《智齒》 = Pessimism on the edge of hell : an analysis of Soi Cheang's Limbo through Auteur Theory
後殖民理論探討魏德聖電影作品的媚日論 = Pro-Japan? : a postcolonial reading of Wei Te-sheng's cinema
香港殭屍電影中的你我他 : 以《殭屍先生》、《殭屍家族》、《靈幻先生》談回歸前夕香港的獨特文化及身份認同 = "You", "We" and "They" in Hong Kong's Mr. Vampire sequels : exploring the unique culture and identity in pre-handover Hong Kong
I'm lost = 迷
L.E.D. (Light, Emotion, Darkness) = 星·情
Leung So Kee : reverse the rain, create the ego = 梁蘇記 : 顛倒晴雨之美, 打造個性印記
The moments I had = 我曾擁有的瞬間
Xiqu Centre : a whole new experience of Cantonese Opera 戲曲中心 : 不一樣的戲曲體驗
一千分之一秒 = In the gaze of a second
告別劏房? = Farewell to subdivided flats?
太陽與怪物 = Sun & monster
她和他 = She and him
幽靈之家 = Ghost Dad
怪在大澳 = Tai O 'See' Monster
意想不到的 Da Dino = Surprising Da Dino
愛上伯爵茶的伯爵 = The Earl Who Fell for Earl Grey
我們消失的「兩小時」 = The missing secrets of our "Two Hours"
柳屋 : 年輕人的《生髮寶典》 = Yanagiya : hair growth secret book for youth
櫻的衣櫥 = Sakura's wardrobe
深藏若虛 : 尋找龍猛寶藏 = Guide ARound
潛像 = Crush on ____
甄沾記 : 絞盡椰汁 = Yan Chim Kee : the essence of coconut juice
當這裡沒有龐克 = When there was no punk
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