中島哲也的厭女情結 : 以《告白》和《花樣奇緣》作為例子

善與惡 = Good and evil

在地獄的盡頭遇見光 = Twilight redemption

我們只不過是個普通的家庭 = We are ordinary but special

曾經的樂與怒 = Our rock and roll

萬事順遂 = Wish

野犬 = Stray dog

高遠自在 = High, far and comfort

地獄邊緣的悲觀主義 : 從作者論探討鄭保瑞《智齒》 = Pessimism on the edge of hell : an analysis of Soi Cheang's Limbo through Auteur Theory

後殖民理論探討魏德聖電影作品的媚日論 = Pro-Japan? : a postcolonial reading of Wei Te-sheng's cinema

香港殭屍電影中的你我他 : 以《殭屍先生》、《殭屍家族》、《靈幻先生》談回歸前夕香港的獨特文化及身份認同 = "You", "We" and "They" in Hong Kong's Mr. Vampire sequels : exploring the unique culture and identity in pre-handover Hong Kong

一千分之一秒 = In the gaze of a second

同前 = Coin-front

太陽與怪物 = Sun & monster

她和他 = She and him

幽靈之家 = Ghost Dad

愛上伯爵茶的伯爵 = The Earl Who Fell for Earl Grey

櫻的衣櫥 = Sakura's wardrobe

沙漏之時 = Life

漂 = Float

潛像 = Crush on ____

當這裡沒有龐克 = When there was no punk

痛感 = Feeling

花落又花開 = The Flowers Fall and Bloom