地獄邊緣的悲觀主義 : 從作者論探討鄭保瑞《智齒》 = Pessimism on the edge of hell : an analysis of Soi Cheang's Limbo through Auteur Theory

後殖民理論探討魏德聖電影作品的媚日論 = Pro-Japan? : a postcolonial reading of Wei Te-sheng's cinema

香港殭屍電影中的你我他 : 以《殭屍先生》、《殭屍家族》、《靈幻先生》談回歸前夕香港的獨特文化及身份認同 = "You", "We" and "They" in Hong Kong's Mr. Vampire sequels : exploring the unique culture and identity in pre-handover Hong Kong

一千分之一秒 = In the gaze of a second

太陽與怪物 = Sun & monster

她和他 = She and him

幽靈之家 = Ghost Dad

愛上伯爵茶的伯爵 = The Earl Who Fell for Earl Grey

櫻的衣櫥 = Sakura's wardrobe

潛像 = Crush on ____

當這裡沒有龐克 = When there was no punk

解願鬼探 = A life unfinished

走不出圍屋的女人 = The story of the round house woman

距離 = Distance

還願 = Trade-off

阿七 = A girl named Seven

鞦韆 = Swing

麥田的五月 = May in the Wheat Field

黑膠唱片 = Vinyl

從《魔海奇緣》及《魔龍王國》看迪士尼公主電影中女性與生態關係的發展與轉變 = The transformation of princess characters in Disney animation : an ecofeminist reading of Moana and Raya and the Last Dragon

突破與囹圄 : 歐美新女性機械人形象研究 = Progress or regress : new images of female robots in European and American cinema

褐葉飄落時, 就讓我們燃花化縷 = Let flower be smoke when brown leaf flies

野火 = Wild fire